This is an advanced work with a duration of 25 minutes. The original version was for alto saxophone and piano and was first performed in 2001.

Doll Clarinet
The tempos often change during the movements. This arrangement has the theme plus 10 variations. A rewarding recital selection for proficient players!

It is at the difficulty level of advanced high school or early college level students and better adult amatuers.College level with a duration of about 7:15. Here is an audio recordings of the first movement and a video of the third. There are many tempo changes and quite a bit of odd meter. While this piece uses modern notation, and will be challenging for both performers, it does not use any extended techniques beyond glissandos and changes in timbre. The composer writes that the title implies that the work avoids learned pedantry and embraces the vernacular, the direct and unpretentious language of everyday speech. Suggested for an upper intermediate student or anyone else looking for something different.

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This piece is based on a famous tune that celebrates a bountiful harvest. Complete with piano accompaniment, this new solo arrangement is perfect for recital or your next holiday gathering. He composed short operas, chamber music, works for orchestra and many songs. A showpiece with skilled players needed for both parts. This is an advanced/professional work with a duration of nearly 19 minutes. There is a short cadenza before the final section. College level with a duration of about 10:50. This would be a good festival piece for a young high school student in those states that do not have a required list of music. This edition includes a violin part in addition to the clarinet part. This edition is in need of resetting (it is on the dark side), but is usable. A new and very nice edition of this work. It is excellent writing for both instruments and is a favorite with many clarinetists for recital purposes. The work is a duo style, rather than solo with piano accompaniment, and is technically difficult for both clarinet and piano. Popular for solo and ensemble festival use. Her edited version (which includes added articulation and dynamic markings) is shown in the piano score along with the original. It is suggested only for those who need this specific edition for an honor band audition or want an abbreviated version and don't want to make their own cuts. This edition has been edited to last 5 minutes. This version includes six pages of notes on performance practices and the editing, four new cadenzas of varying length and difficulty, and the piano part with both the original and edited clarinet parts. Still another edition of this popular work which also includes cues for all the tutti passages and some notes on the piece and performance practices. Yet another edition of this popular work which also includes cues for all the tutti passages. Another edition of this popular work which also includes cues for all the tutti passages. A reasonably priced edition of this popular work which includes cues for all the tutti passages. Both versions are shown in the piano score. Weber originally wrote this piece for viola and orchestra but later did a version for bassoon which is a very popular part of the bassoon repertoire.

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This scholarly edition indicates which markings are original and which are provided by the editor. The editor has preserved the original clarinet key and transposed the piano part. This is one of the earliest known clarinet sonatas which was first published in 1800. Editorial additions, which are few, are indicated. According to the editor this sonata was first published in 1810. He concluded that this is good music written for the advanced clarinetist, and the work warrants performances on professional recitals. The piano part is quite pianistic and, although it is an accompaniment, the part often has its own character. Melodic material is usually approached by step, but often it involves various skips. This concerto was completed in 1902 but was apparently never orchestrated and was first performed in 1991. This prelude, which is for solo clarinet and orchestra in the opera, has been arranged for clarinet and piano. The orchestral parts are available as a rental.

Doll Clarinet

It is a sectional college level piece with a duration of 13 minutes. This is a college level piece with a duration of about 7:30. In two movements with tempo changes in each movement. This is one of the most popular pieces, and deservedly so, for intermediate players of all ages. Originally written for cello (you will see the cello part in the piano score), the clarinet arrangement was made by the composer. This piece features high altissimo in the cadenza and has a small amount of flutter tonguing. It provides several styles of playing which make it challenging for advanced high school or early college performers. Each piece may also be performed separately or as a selection together in any combination.

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This is an advanced contemporary piece with high altissimo (although without extended techniques). The bass clarinet is used near the end of the piece. It should be noted that the clarinet part in the score is in relatively small print. An excellent recital piece for college and professional players. One of the best twentieth century concertos for use on graduate and professional recitals. A slow and expressive piece which is not difficult but requires some maturity (or coaching) to play successfully. An excellent choice for some variety in college and professional recitals. This piece is intended to reflect the mood and atmosphere of a vibrant big city at rush hour with its hustle and bustle, tension and motor energy. It is in nine movements after the nine muses. This work was originally written for cello and orchestra. It has been described as displaying an enfolding calm and as a gentle lyrical piece.The clarinetist has the opportunity to demonstrate expression in the third movement and technical facility in the vigorous fourth movement. An excellent recital piece for good undergraduate clarinetists. It has three tempos and a few changes of meter. The publisher rates the difficulty as 7-8 on their 9 level scale. This is a good study concerto for a college level performer. Heim writes that the first and third movements are florid and the third movement contains fast chord and scale passages.

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It includes instructions on performing the ornamentation. Includes some notes on performance including instruction for playing the trills. The slow movements have lyric melodies while the fast movements have dance-like rhythms. The adaptation for the clarinet has been done in a stylistically appropriate way making this suitable for college and professional performers who wish to program music from a period in which little clarinet music was written. College level with quite a bit of mixed meter. The second movement is cheerful and fast-moving with the piano as an equal partner. The first movement is a song-like composition based on many sustained notes. Her works include symphonic compositions, chamber music, art songs and other vocal works including opera and oratorios. One of the best pieces in clarinet repertoire; can be used for training purposes at the college level but is also excellent recital literature for advanced performers. Mid-twentieth century style with ample dissonance but with a feeling of tonality. The editor has provided many details of its history and the process of completing it. Surprisingly, for a work that was released for several instruments at the same time, this is an advanced work that will required college level skill. The movements can be performed separately, and the first movement can be played as a solo without piano accompaniment.Duration is slightly less than 6 minutes. The publisher lists this as a grade 2 piece but it seems a bit more difficult, perhaps something for an eighth grader who has 2 years of private lessons. College level and advanced performers will want to program this work. In the third movement, 7/8 meter may present rhythmic challenges. Heim wrote that this is one of the most pleasant works in the entire clarinet repertoire with the slow movements displaying the clarinet at its best. Heim wrote that the fast movements have rhythmic drive; the style is tonal and harmonies are fairly conservative. This work is written with great sensitivity for the clarinet although the clarinet is more a part of the ensemble than a solo instrument. It is at an advanced level and is sectional with many tempo changes. This is one of his best know works which also has a version for bassoon. The piano part is more difficult with many 3 against 2 rhythms. Here is a performance by a high school student. This is good training material for college level students. It has great audience appeal and is appropriate for college and professional recitals. The solo part is quite demanding technically and requires excellent finger dexterity. This concerto was published for the first time in 1953. This concerto was published for the first time in 1958 and includes notes about the editing and cadenzas (some are really eingänge) by the editor. This edition has much more editing of dynamics and articulation and a written out cadenza for the first movement. Schirmer edition and it has better page turns. This edition has very limited dynamic markings but does have the parts for some of the tuttis.


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There are cadenzas in the first and last movements. Here is a video of the first movement which includes the cadenza. Heim wrote that this is one of the best-known clarinet concertos and a good piece for high school clarinetists. There is a cadenza in the first movement. This edition has larger print than the version above and completely different cadenzas. This video of the first movement features the cadenza in this edition. There are cadenzas in the first and second movements. The editor has transposed the accompaniment preserving the original basset horn part. The clarinet part is primarily based on arpeggio patterns and requires strong technique. This is a difficult work that is good recital literature. A brilliant virtuoso work that extends to b'''. A very brilliant work that also is excellent recital material. The range is more limited than in first two concertos. Ranges up to high c''' but includes alternatives for some difficult passages. This leads straight into the third movement, which is almost bee-bop in style and shows off the jazzier side of the clarinet. The opening movement contains much syncopation and is almost rag-like in style. He began his career as a clarinetist and pianist. Romance is a relatively brief work, somewhat rhapsodic, that should be playable by many high school level clarinetists. College level with a duration of about 11 minutes. Soler was know primarily as an oboist and may have composed this piece for his brother who was a clarinetist. The clarinet part is not difficult (early college level). This is an easy piece probably suitable near the end of the second year of study for recital or festival use. It looks like fun and should be playable by better high school level clarinetists. Early college level with a duration of 11 minutes. Fast/slow/fast format with all of the more challenging music for the clarinet in the slow part. The clarinet has some poignant and almost soft wailing aspects to it, while the piano answers accordingly, not always responding to the direct appeal of the clarinet, but as if it has its own thoughts on the subject matter that must be addressed first.This piece has slow and fast sections and ends with in a tempo di barcarolle. Better high school players and above who are looking for something different. He is internationally known as a pianist and composer: his works are in diverse styles and genres, tending to assimilate seemingly unrelated elements. There are many sections with different tempos and in parts of the piece the meter changes in every bar. This piece uses the constant transformation of small rhythmic and melodic cells as a compositional device. This is a substantial work with a duration of about 15 minutes. This piece was originally composed for orchestra and was performed as an encore. There is a general conservative treatment of range other than a few altissimo a and a-flats. The clarinet part is very musical and, at times, is technically challenging. Melodic material is characterized by scales that have modal tendencies, and features skips of fourths and fifths. The treatment of rhythm gives an interesting forward motion to the music. There is a musical approach to the dissonance, which employs added tones, complex seventh chords and use of polytonality.

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While this piece could probably be performed by many high school students it would be more suited for an early college level performance. The principle tempo is in two at 56-60 with some variation. Much of the music from this area has been strongly influenced by religious music introduced by missionaries in the nineteenth century. Good technical skills will be needed to play this up to tempo.

I have not been able to figure out how the movement titles fit with the overall title of this work, perhaps you can. The publisher has identified this as one of their best sellers. The other two are more difficult and will required advanced high school or early college level skills. Songs 1, 2, and 5 are in the classical style, with the first two playable by better intermediate clarinetists (the last is fast and will require reasonably good technical skills). This collection of songs is intended for both church and concert settings. This is a good combination, but there is very little published music for it. Also there are some sections where the music is placed in different octaves. There are a number of differences between this edition and the one above. College level with a duration of about 16 minutes. These are pieces in the "popular" style and were originally for cello and piano. Includes a preface with historical information and detailed comments on the editing. This piece, written in 1849, was originally for horn or violin or cello and piano. The complete piano score can be viewed on the publisher's website. He composed more than 300 works, mostly chamber music., most of which have never been published. These two works are among the most popular music in the repertoire for solo voice and keyboard. This is a world premiere edition never before published.The felicitous and satisfying quality of the works is perfect for the clarinet as they are full of memorable melodies contained in a formal clarity, that is nevertheless full of harmonic surprises. A good transcription for mid-level high school students. When it was originally published in 1871 it included a part for the violin (which has a very similar range to the clarinet). The arpeggione was an instrument similar to guitar but played with a bow that enjoyed a very brief period of popularity in the early 1820s. It is a great solo piece that will add classic quality to any performance. Dream," the middle movement, provides a lyrical contrast to the outer movements, with the solo clarinet floating over the undulating accompaniment. It is full of energy, embracing older styles, but with a modern twist.Suggested as a lighter piece for a college recital. The only difficulty for a clarinetist at this level is the frequent accidentals. Clarinet and piano then launch into an allegro viva movement of fast-paced virtuosity, with trills and runs to a satisfying conclusion. Schocker's two-part suite for clarinet begins with a beautiful melodic section, quiet and lovely, with no hint of what's to come. While not technically difficult, shaping of phrases is important as is ensemble with the moving line in the piano part. This is a brief (about 3 minutes), beautiful, and somewhat melancholy work.

On one hand the structure is based on a traditional twelve-bar blues. It can probably be performed by advanced high school and early college level students, although the stronger the technique, the better it will sound. This is somewhat easier than many fantasias of this type. The clarinet does not enter until after 1:30. Here is an. mp3 file of the first 3 minutes of the clarinet and piano edition. However, there are plenty of technical challenges. It is dedicated to a handicapped child who died prematurely. It has sections with complex meters such as 24/16 (with subdivisions). It reflects the stages of his life and his love for his wife which was reflected in his poetry. Someone looking for a showpiece arrangement of this piece will not be disappointed with either edition. There are many differences between this arrangement and the one listed above. College level with a duration of about 8 minutes. Balogh has arranged it as a showpiece for clarinet and piano. The four movements carry the listener through four contrasting moods, culminating in the lightness and joy of dance.

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Tempos are given throughout (they change frequently). Some mixed meter, especially in the second movement. The version with piano accompaniment was originally published in 1882.

You can listen to the beginning of the piece (which doesn't feature much of the clarinet) here and can buy an mp3 of the entire piece for less than a dollar. It calls for the clarinet to be tuned a quarter tone below the piano and for the piano to have most of the bass range pressed down and secured. College level with a duration of about 7:30. Measure numbers have also been added to each line. While the clarinet part does not appear to have been edited there are dynamic markings on the the first page of the clarinet part that were on the score but previously missing from the clarinet part. This is a new edition which has been completely reset. Advanced college level with a duration of about 10:15. Here is an audio recording of this piece. It should give an idea of this piece although there are sound quality issues.<